E.g. having a severe illness or injury that would have killed you without modern medicine, needing daily/routine medication to stay alive, etc.
today’s bug thing are these DIY textile bug brooches!
fuck my commute
Arnold Lobel, who wrote and illustrated the Frog and Toad series, was born in 1933 and raised in Schenectady, New York. During his career, he worked on dozens of children’s books, both as a writer and as an illustrator, and also, in some instances, in collaboration with his wife, Anita Kempler, whom he met while studying art and theatre as an undergraduate, at Pratt Institute. In his Frog and Toad books, published between 1970 and 1979, the pair of amphibians visit each other at home and explore their natural surroundings together, occasionally seeing other animals, like a snail who is the mailman, or birds who enjoy cookies that Frog and Toad throw out when they can’t stop eating them.
His daughter Adrianne suspects that there’s another dimension to the series’s sustained popularity. Frog and Toad are “of the same sex, and they love each other,” she told. “It was quite ahead of its time in that respect.” In 1974, four years after the first book in the series was published, Lobel came out to his family as gay. “I think Frog and Toad really was the beginning of him coming out,” Adrianne told. Lobel never publicly discussed a connection between the series and his sexuality, but he did comment on the ways in which personal material made its way into his stories. In a 1977 interview with the children’s-book journal The Lion and the Unicorn, he said:
“You know, if an adult has an unhappy love affair, he writes about it. He exorcises it out of himself, perhaps, by writing a novel about it. Well, if I have an unhappy love affair, I have to somehow use all that pain and suffering but turn it into a work for children.”
Lobel died in 1987, an early victim of the AIDS crisis. “He was only fifty-four,” Adrianne told. “Think of all the stories we missed.”
When reading children’s books as children, we get to experience an author’s fictional world removed from the very real one he or she inhabits. But knowing the strains of sadness in Lobel’s life story gives his simple and elegant stories new poignancies. On the final page of the story “Alone,” Frog and Toad, having cleared up a misunderstanding, sit contently on the island looking into the distance, each with his arm around the other. Beneath the drawing, Lobel writes, “They were two close friends, sitting alone together.”
(Full article)








